Remember how I’ve said umpteen times that we don’t need any more book-to-TV adaptations? Well, I take it all back. The new Channel 4 drama *Trespasses*, based on the novel by Louise Kennedy, has knocked it out of the park.
The series is set in 1970s Ireland, a country deep in the grip of The Troubles. Cushla (Lola Petticrew) is a primary school teacher who picks up shifts in her family pub on the side. One night while working, she meets Michael (Tom Cullen), a married lawyer who advocates for both nationalists and unionists.
The result? An illicit affair that not only gets them into trouble socially, but politically too. Cushla’s mother Gina (Gillian Anderson) is just as cautious as she is outspoken, and the longer Cushla’s and Michael’s romance continues, the more all three are steeped in danger.
Across four episodes, each scene is packed with so much unspoken tension, you might explode at any second watching it. Book lovers will know exactly why *Trespasses* becomes so heartbreaking (but no spoilers here). And if you can steel yourself, there’s another standout reason to stream it: Anderson herself.
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### Trespasses on Channel 4 Will Break Your Heart, But Gillian Anderson Shines
For all intents and purposes, I am Gillian Anderson’s self-proclaimed biggest fan. I’ve been there since the *X-Files* days, following her through her sultry police detective in *The Fall* to her unnervingly uncanny portrayal of Margaret Thatcher in *The Crown*. As a general rule, if Anderson is in it, I’m there.
Granted, *Tron: Ares* wasn’t the blockbuster I wanted her to be involved in this year, but her turn in *Trespasses* might just be Anderson’s best performance in years.
From the minute we meet Gina, it’s clear she is troubled, marinating in cigarette smoke and alcohol while sat in a dark living room. She’s barely coherent, putting immense strain on Cushla in her limited free time. But when Gina is on form, she’s dazzling.
She’s one of the few people unafraid to bridge the nationalist-unionist gap, helping the family of Davy McGeown (Daithí Ó Haragáin), a vulnerable child Cushla teaches, when his dad is attacked by unionists — simply because he married and had a family with a Protestant woman.
Anderson beautifully toes the line between damaged and self-assured, creating an effortless portrayal of just how complex humans can be. Layer this with the social-political context, and you get something much more multi-dimensional than typical UK channels (Channel 4 is one of the three biggest in the country) care to show us.
What’s also clear is how much Anderson loves what she’s involved in. She’s also an executive producer on the show, originally having a meeting with Kennedy after falling in love with the book.
If her performance doesn’t make this admiration clear, a quick search of her Instagram profile brings it all to the surface.
Perhaps I’m just saying all of this because I’m such a big fan, or perhaps I’m just saying it because I watched the first episode with Anderson herself, who was happily scoffing popcorn two rows in front of me.
But I know it’s really because of Anderson’s collaboration with an astonishing debut author and two up-and-coming talents in Petticrew and Cullen. Put all the elements of *Trespasses* together, and it’s truly something special.
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https://www.techradar.com/streaming/forget-netflix-and-prime-video-channel-4-has-the-best-tv-binge-of-the-week-and-you-can-stream-the-full-series-now